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Sanat

The Truth About Cinema

Enver Gülşen

Cevvela
Sanat

The Truth About Cinema

Enver Gülşen · H Yayınları · 2005

8
Cevvela Score
8.3 (2.563 oy)
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Summary

Enver Gülşen’s work titled “The Truth of Cinema” is a study that examines the deep philosophical foundations of the art of cinema. The book argues that cinema is not merely a medium of visual entertainment, but a language that reflects human existence and truth. While addressing the philosophical dimensions of the language of cinema, Gülşen emphasizes that understanding cinema is an art, and understanding humanity is a journey.

The book thoroughly examines cinema’s impact on fundamental philosophical concepts such as existence, truth, and meaning. While critiquing how Western cinema portrays humanity, Gülşen also discusses the potential role cinema could play within Islamic civilization. Viewing cinema as an art of narration and existence, the author draws particular attention to the depth of the meaning-based relationship the viewer establishes with films. He asserts that filmmaking and the viewer’s experience are not merely aesthetic processes but also significant milestones in humanity’s quest for truth.

In The Truth of Cinema, Gülşen reexamines the language of cinema from a philosophical perspective while also highlighting its intellectual dimension. Going beyond film criticism and analysis, she argues that cinema can be viewed as an art form that guides humanity on its inner journey.

Cevvela Comment

"The Truth of Cinema" is an important reference work for those interested in the art of cinema and those who wish to explore its philosophical depths. Enver Gülşen does not view cinema merely as a form of entertainment but interprets it as a space for existential inquiry. The book offers a profound philosophical approach, particularly through its chapters that examine the impact of cinema on truth and human perception.

The book stands out for its comparative analyses of Western and Eastern cinema. In particular, how Western cinema interprets the individual and the philosophical implications this entails is one of the central points of Gülşen’s critiques. In my view, this work offers a great opportunity for those who wish to understand cinema more deeply and see it not merely as an art form but as a tool for thought.

Viewed from a critical perspective, the book’s language may be challenging for some readers. Gülşen’s philosophical depth may prove difficult to grasp for readers with only a superficial interest in cinema. However, this depth is a major advantage for those who wish to comprehend the intellectual dimension of cinema. My view is that any reader seeking to deeply understand the relationship between cinema and philosophy should definitely read this work.

Quotes from Cevvela

“İnsan, Allah'ın "haddini aşma "yetisi verdiği tek varlıktır kainatta!”
““Güneşe benzeyen bu yer, bir aynadır aslında. Kim gelir, bakarsa ona, kendini görür yalnız. Kendisinin bir canı, bir teni vardır, orada da onları seyreder... Yoksa kimde o göz var ki Bizi görebilsin. Hangi adamın gözü Süreyya burcuna uzanabilir, onu açıkça görebilir””
“İnsan dünyaya geldiği andan itibaren kopup geldiği yere büyük bir özlem duyar. Din, o özlemin vahiy aracılığıyla hafifletilmesi ve düzene sokulmasının yoludur. Sanat, dindar olsun olmasın sanatçının içgüdüsel olarak yönelimini ifade eder.”
“Hayat bize kendini bir nefes olarak sunuyorsa şayet; yazmak, hayatın bizdeki yansımalarını paylaşmak, yani aldığımız nefese şükretmek ve onu geri vermek demektir. Daha fazla yanmamak için mi? Belki de yanmamız hiç durmasın diyedir, kim bilir!”
“Aradığımız Yusuf'tur. Ama aramaya başlamak için ilk yapmamız gereken şey, Yusuf'u kaybettiğimizi kabul etmemizdir.”

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Reader Score: 8.3 / 10(2.563 votes)

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Two reflection prompts to note while reading — you do not need to answer them.

  1. After finishing, which line or scene stayed with you — and why?

  2. Where does the Sanat theme in this book meet your everyday life?

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